Nov 05, 2014 DIY Fuzz Pedal (Fuzz Face Based Circuit) Maxon OD808 Boss DS-1 DIY Tube Distortion Pedal with 2 x 12AX7EH Hope this video is helpful. Fuzz vs Overdrive vs Distortion Explained YouTube. Fuzz Faces naturally tend to bias with only about half a volt on the collector of the first transistor, so there is a lot of room upwards. The input stage will first hit mushy saturation on one polarity of signal and then if driven hard enough, hit cutoff on the other polarity. The Fuzz Face has asymetrical clipping designed into it! Jan 30, 2016 I have the light blue Hendrix Fuzz Face mini. It's great, when I run my Gibson SG through it into my Deluxe Reverb, it's amazing. When I roll of the volume on my guitar it cleans up and the volume from the amp/pedal remains the same. It's awesome. The BOG Fuzz Face seems to.
Get Great Guitar Tones Easily In Ableton Live. Unlike Big Muff-style fuzz, Fuzz Face fuzz is very interactive; the sound you get varies greatly depending on the type and amount of amp and overdrive gain stages further down the chain. It is also affected by the guitar’s volume control level. I can help if you have a Mac. If you go to. The keyboard shortcut for resetting fades is 'CMD+ALT+Delete' (Mac) / 'CTRL+ALT+Backspace' (Windows).
more.. Gear • Reviews • Effects • Gear Award 2013 • Fuzz • October 2013 • Dunlop
Ring the bells. Crack the champagne. At long last, you can buy a great-sounding germanium-transistor Fuzz Face for around a hundred bucks.
The Fuzz Face Mini Germanium is one of three new small-format Dunlop Fuzz Faces. (The others are higher-gain models with silicon transistors.) At 3 ½' circumference, it’s about half the size of a traditional model, and a better fit for most pedalboards. (The downsizing has no sonic consequences.)
Feb 22, 2014 How can I get rid of the constant hum/fuzz when I'm running my guitar into Ableton? How can I get rid of the constant hum/fuzz when I'm running my guitar into Ableton? The guitar is going into a Focusrite 2i4. Save hide report. 100% Upvoted. This thread is.
Improvements and feature changes. Ableton live suite 9. Note that this change might affect compatibility with 3rd party control surface scripts, i.e. Scripts that are not natively supported by Ableton. This could lead to problems with Live’s Undo history or even to crashes and is no longer allowed.
Simply Impossible
The Fuzz Face circuit requires only about a dozen simple components. So why has it been necessary to pay boutique prices for a vintage-correct sound?
The Fuzz Face circuit requires only about a dozen simple components. So why has it been necessary to pay boutique prices for a vintage-correct sound?
Blame those pesky germanium transistors. They became increasingly difficult to source after silicon replaced germanium for most electronic applications, a transition that was pretty much complete by the time Hendrix rocked Woodstock. New-old stock (NOS) germanium transistors aren’t just rare—they’re unstable, requiring laborious measuring and matching. But that situation is changing thanks to the recent spate of new-production germanium transistors and, in Dunlop’s case, some remarkable sourcing of NOS parts. Whatever their provenance, these transistors sound great.
The Germanium Mystique
Germanium doesn’t automatically sound better than silicon, but it usually sounds different. Silicon transistors tend to be higher gain, delivering brighter, tighter tones. Germanium transistors often sound warmer and spongier, and they excel at transitioning smoothly between clean and fuzz timbres according to input level. A properly voiced germanium Fuzz Face lets you drive from your guitar’s volume knob. Diming it should yield thick, high-cholesterol distortion. Rolling it back should reveal a clean tone nearly indistinguishable from your sound with the pedal bypassed.
Germanium doesn’t automatically sound better than silicon, but it usually sounds different. Silicon transistors tend to be higher gain, delivering brighter, tighter tones. Germanium transistors often sound warmer and spongier, and they excel at transitioning smoothly between clean and fuzz timbres according to input level. A properly voiced germanium Fuzz Face lets you drive from your guitar’s volume knob. Diming it should yield thick, high-cholesterol distortion. Rolling it back should reveal a clean tone nearly indistinguishable from your sound with the pedal bypassed.
Ratings
Pros:
A great vintage-style Fuzz Face at a great price.
A great vintage-style Fuzz Face at a great price.
Cons:
The quirky Fuzz Face circuit isn’t for everybody.
The quirky Fuzz Face circuit isn’t for everybody.
Tones:
Playability/Ease of Use:
Build/Design:
Value:
Street:
Street $129
Street $129
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Jim Dunlop, Fuzz Face Mini Germanium FFM2
jimdunlop.com
jimdunlop.com
The FFM2 triumphs on this front, offering as much dynamic range as any Fuzz Face I’ve played. You could literally leave it on for the entire gig, regulating your distortion solely from the guitar.
I started out with a pre-CBS Strat, a brownface Fender Tremolux, and the Fuzz Face floored. Result: gooey fuzz goodness à la Jimi’s “Bold as Love” solo. The circuit’s high gain and treble-roll off softened the bridge pickup’s brittle edge while thickening lows. But amazingly (yes, it still amazes me after all these years), a twist of the Strat’s volume knob morphed the tone from corpulent to crystalline. It’s no mystery why so many Strat players are Fuzz Face fanatics.
Which isn’t to say the circuit doesn’t sound fab with humbuckers (though you sometimes encounter that opinion). The distortion was even wilder and looser with the hotter output of the vintage humbuckers in my ’65 Gibson Trini Lopez, and the volume-knob clean up was equally dramatic.
Guitar Rig Vst
I also compared the FFM2 to a half-dozen boutique and homemade germanium Fuzz Faces. Due to variances in transistor gain, each sounded slightly different, but none sounded better than the Mini.
Let’s Face It
Almost everyone loves Hendrix, but not everyone loves Jimi’s favorite distortion pedal. Fuzz Face quirks can be deal-breakers for some players. Vintage-style Fuzz Face tones are more about mass than focus—the same qualities that make them shine for single-note solos played with a trio can make their tones vanish when playing in a busy quintet. Most players keep the fuzz knob floored because lower settings can be farty and anemic. It’s a notoriously noisy circuit—if your guitar isn’t well shielded, brace for radio interference. A buffer or buffered effect placed before the Fuzz Face downgrades that mighty roar to an irritating buzz. The circuit sounds best with vintage-output pickups, and downright nasty with actives. Try before you buy.
Almost everyone loves Hendrix, but not everyone loves Jimi’s favorite distortion pedal. Fuzz Face quirks can be deal-breakers for some players. Vintage-style Fuzz Face tones are more about mass than focus—the same qualities that make them shine for single-note solos played with a trio can make their tones vanish when playing in a busy quintet. Most players keep the fuzz knob floored because lower settings can be farty and anemic. It’s a notoriously noisy circuit—if your guitar isn’t well shielded, brace for radio interference. A buffer or buffered effect placed before the Fuzz Face downgrades that mighty roar to an irritating buzz. The circuit sounds best with vintage-output pickups, and downright nasty with actives. Try before you buy.
Ableton Mac Torrent
The Verdict
If you dig high-cholesterol fuzz and supreme dynamic sensitivity, you need a good Fuzz Face—and you’d be hard-pressed to find one that sounds better than the FFM2 at any price. If you’ve been avoiding Dunlop Fuzz Faces because of past models that fell too far from the vintage tree, it’s time to reconsider.
If you dig high-cholesterol fuzz and supreme dynamic sensitivity, you need a good Fuzz Face—and you’d be hard-pressed to find one that sounds better than the FFM2 at any price. If you’ve been avoiding Dunlop Fuzz Faces because of past models that fell too far from the vintage tree, it’s time to reconsider.